The Beatles-Various Appearances- Ed Sullivan

Due to copyright laws there are no available videos of the entire Ed Sullivan Show Appearances. What videos are contained on this page are the only material available without copyright infringement.

The Beatles on the Ed Sullivan Show, 9th February 1964, performing



Beatles – Yesterday (Acoustic On Ed Sullivan Show).mpg

Ed Sullivan Show History and facts about The Beatles appeaances

A record setting 73 million people tuned in that evening making it one of the seminal moments in television history. Nearly fifty years later, people still remember exactly where they were the night The Beatles stepped onto Ed Sullivan’s stage.

In the weeks leading up to the performance, several Beatles records had already hit number one on the U.S. charts, and the radio airwaves were saturated with their tunes. The delirium and ground swell of anticipation surrounding The Beatles’ arrival from England had not been seen around sinceElvis Presley on The Ed Sullivan Show in 1956. But even that experience could not have prepared the Sullivan staff and the New York City authorities for what was about to happen.

There are a number of stories regarding exactly how The Beatles came to appear on The Ed Sullivan Show. The most popular is that in 1963, while arriving at London’s Heathrow airport, Ed Sullivan and his wife Sylvia encountered thousands of youngsters waiting excitedly in the rain. When Sullivan asked what all the commotion was about, he was told that a British band named The Beatles was returning home from a tour in Sweden. When he got to his hotel room, Sullivan purportedly inquired about booking the group for his show.

However, it was not until later that year that The Beatles’ manager Brian Epstein reached an agreement with Ed Sullivan to bring the group to America to perform live for the first time on U.S. television. Following dinner at the Hotel Delmonico in New York City, a handshake between the two men sealed the deal for performances on three shows to air in 1964. In return, The Beatles would receive $10,000 for their three appearances and top billing.

Prior to their debut on the Sullivan show, The Beatles’ record “I Want to Hold Your Hand” was leaked in advance of its planned US release to radio stations across the country. When attorneys for Capitol Records were unable to stop American DJs from spinning the tune, the record label relented and, on December 26, 1963, dropped the album ahead of schedule. The record sold 250,000 copies in the first three days. By January 10, 1964 it had sold over one million units and “I Want to Hold Your Hand” was the number one song on the Billboard charts by month’s end. In the weeks leading up to The Beatles’ performance on The Ed Sullivan Show, Beatlemania went viral. Radio stations played the band’s music nearly non-stop; teenaged fans sported “Beatle” wigs, and bumper stickers across the country warned, “The Beatles Are Coming.”

The Beatles touched down at New York’s Kennedy Airport on February 7th, 1964. They were met by a throng of reporters and a hoard of three thousand screaming fans. Upon disembarking the plane, The Beatles were whisked to a press conference hosted by Capitol Records in which they playfully answered questions from the media.

When asked “How do you find America?” Ringo Starr jokingly replied, “Turn left at Greenland.”   edsullivan.com

For weeks, celebrities were calling in to get tickets for their kids. Walter Cronkite and Jack Paar scored seats for their girls; composer Leonard Bernstein tried but failed; while Richard Nixon’s 15-year old daughter, Julie, became one of the lucky few to get a seat. Even Sullivan himself had trouble getting extra tickets. On his show the week before The Beatles’ debut, Ed asked his audience, “Coincidentally, if anyone has a ticket for The Beatles on our show next Sunday, could I please borrow it? We need it very badly.”It should be remembered that while this hullabaloo was happening, there was still an air of gloom in America. Just 77 days prior to The Beatles’ appearance on Sullivan, President Kennedy had been assassinated. By now, the country was ready for some much needed diversion, and it came in the form of four young lads from Liverpool – their sound, their look, their energy and their charisma.At 8 o’clock on February 9th 1964, America tuned in to CBS and The Ed Sullivan Show. But this night was different. 73 million people gathered in front their TV sets to see The Beatles’ first live performance on U.S. soil. The television rating was a record-setting 45.3, meaning that 45.3% of households with televisions were watching. That figure reflected a total of 23,240,000 American homes. The show garnered a 60 share, meaning 60% of the television’s turned on were tuned in to Ed Sullivan and The Beatles.Ed opened the show by briefly mentioning a congratulatory telegram to The Beatles from Elvis and his manager, Colonel Tom Parker and then threw to advertisements for Aero Shave and Griffin Shoe Polish. After the brief commercial interruption, Ed began his memorable introduction:

“Now yesterday and today our theater’s been jammed with newspapermen and hundreds of photographers from all over the nation, and these veterans agreed with me that this city never has witnessed the excitement stirred by these youngsters from Liverpool who call themselves The Beatles. Now tonight, you’re gonna twice be entertained by them. Right now, and again in the second half of our show. Ladies and gentlemen, The Beatles! Let’s bring them on.”

At last, John, Paul, George and Ringo came onto the stage, opening with “All My Loving” to ear-splitting screeches from teenaged girls in the audience. The Beatles followed that hit with Paul McCartney taking the spotlight to sing, “Till There Was You.” During the song, a camera cut to each member of the band and introduced him to the audience by displaying his first name on screen. When the camera cut to John Lennon, the caption below his name also read “SORRY GIRLS, HE’S MARRIED.” The Beatles then wrapped up the first set with “She Loves You,” and the show went to commercial. Upon return, magician Fred Kaps took the stage to perform a set of sleight-of-hand tricks.

Concerned that The Beatles’ shrieking fans would steal attention from the other acts that evening, Ed Sullivan admonished his audience, “If you don’t keep quiet, I’m going to send for a barber.”

As hard as Ed tried to protect them, the other acts that night suffered from the excitement surrounding The Beatles. Numbered among those performers were impressionist Frank Gorshin, acrobats Wells & the Four Fays, the comedy team of McCall & Brill and Broadway star Georgia Brown joined by the cast of “Oliver!”

The hour-long broadcast concluded with The Beatles singing two more of their hits, “I Saw Her Standing There” and “I Want to Hold Your Hand” to the delight of the fans in attendance and those watching at home.

The show was a huge television success. As hard as it is to imagine, over 40% of every man, woman and child living in America had watched The Beatles on Sullivan.

A week later, the February 24th issue of Newsweek magazine’s cover featured a picture of The Beatles with the title, “Bugs About Beatles.” Inside, the review of The Beatles debut on The Ed Sullivan Show began, “Visually, they are a nightmare: tight, dandified, Edwardian/Beatnik suits and great pudding bowls of hair. Musically, they are a near-disaster: guitars and drums slamming out a merciless beat that does away with secondary rhythms, harmony, and melody. Their lyrics (punctuated by nutty shouts of “yeah, yeah, yeah!”) are a catastrophe, a preposterous farrago of Valentine-card romantic sentiments.” The article ended with the following prediction, “…the odds are they will fade away, as most adults confidently predict.”

So much for adult odds makers. But even at that, it was impossible to imagine what a lasting impression the night would leave.

John Moffitt, then Assistant Director of The Ed Sullivan Show recalls, “Nobody realized the impact to come, how momentous it would be. We didn’t talk about making history. It was more like, ‘What are we going to do next week? Not only are we doing this again, we’re on location.’”

That’s because The Beatles’ second appearance on February 16th, 1964, was broadcast from The Deauville Hotel in Miami Beach, Florida. Moffitt remembers how fans took over the venue, and when it was time for The Beatles to perform, a teaming throng of teenagers blocked the group’s access to the ballroom. As security guards wedged a passageway through the crowd for The Beatles, the show was being broadcast to America. Unaware of the delay, Ed was about to introduce them. Moffitt recalls…

“Ed is saying ‘And now, here are—(a beat)—The Beatles right after this.’ And he went to a commercial. And during the commercial, finally at the end, The Beatles broke through, they came running up the aisle, they got hooked up, and I believe there was one microphone that didn’t get hooked up. But you couldn’t tell because all you could hear was the screaming.”

Audio difficulties aside, the boys plowed through “She Loves You,” “This Boy” and “All My Loving” for their first set, then turned the stage over to the comedy team of Allen and Rossi (“Hello, Dere”), singer/dancer Mitzi Gaynor, acrobats The Nerveless Knocks and monologist Myron Cohen.

The Beatles returned to close the show with performances of “I Saw Her Standing There,” “From Me to You” and “I Want to Hold Your Hand.” After they finished, Ed called them over and congratulated them, passing along word that legendary composer Richard Rodgers was one their “most rabid fans.”

Again, The Beatles on Sullivan proved a huge ratings success, nearly duplicating the record-setting performance of their first appearance. The second show also attracted 40% of the American population.

The Beatles third and—according to their contract—final performance on The Ed Sullivan Show was technically their first. The show was taped prior to their live February 9th debut, but saved for broadcast until February 23rd, 1964. On this show, The Beatles sang “Twist and Shout”, “Please Please Me” and “I Want to Hold Your Hand.” Other guests that night included stand-up comedian Dave Barry, Gordon and Sheila MacRae, and the legendary American jazz singer Cab Calloway.

On September 12th, 1965, The Fab Four returned to the Ed Sullivan stage one last time. They played “I Feel Fine,” “I’m Down,” “Act Naturally,” “Ticket to Ride,” “Yesterday,” and “Help!” This performance was taped in New York on August 14th, 1965, just one day before The Beatles kicked off their North American Tour with a concert at Shea Stadium that set the attendance record for an outdoor show at the time.

The final appearance of the Beatles on Ed Sullivan, like those in February 1964 aired in black and white. However, at the end of the evening, Sullivan broke the news that the following week, his show would start broadcasting in color.

So The Beatles were just a week from having their performance captured and preserved forever in color.

These four historic Beatles performances on The Ed Sullivan Show featured 20 Beatles songs—seven of which became Number One hits. Cumulatively, the four shows attracted an audience of a quarter of a BILLION people. In terms of percentage of America’s population, the first two shows remain the highest viewed regularly scheduled television programs of all time.

The Beatles’ success on The Ed Sullivan Show paved the way for future rock ‘n’ roll groups dubbed the British Invasion, including The Rolling Stones, The Animals, The Dave Clark Five, Herman’s Hermits,The Searchers, Gerry and the Pacemakers, Peter and Gordon, etc.

The genius of The Beatles and the American institution that was The Ed Sullivan Show combined to create one of the most defining and indelible moments in the history of music, television and pop culture. It was a remarkable convergence that came at a special time in America, making an impact on the world that will never be duplicated.

Yeah, yeah, YEAH!

By Randy LewisFebruary 8, 2014, 6:00 a.m.

It was the pop culture equivalent of the Big Bang, a televised moment that changed music for decades to come.

Fifty years ago Sunday, the Beatles made their U.S. live television debut on “The Ed Sullivan Show” as 73 million people tuned in, the largest audience in history at that time. The English band’s appearance ignited American hysteria over the group and its music on a scale unmatched to this day.

In the shorthand of history, it appears to be a moment of spontaneous combustion. In reality it was the result of musical talent, managerial chutzpah and marketing genius.

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But at the time, not even John, Paul, George or Ringo were fully aware of what was to come.

“We were busy — it was crazy at home,” drummer Ringo Starr, 73, said in a recent interview. “We thought we were just coming to do some TV show. We were like, ‘We’re going to America!’ — that’s all I could think, we’re going to America where all the music I ever loved came from. That was the big news for me.”

From early on, the Beatles’ manager, Brian Epstein, was determined to break his band in America.

“His conviction in the Beatles’ qualities was unshakable from the start,” said Mark Lewisohn, author of a new biography “Tune In: The Beatles — All These Years, Vol. 1.” “He believed … that they would be the greatest.”

But through most of 1963, even the band’s label wasn’t taking much notice. Executives at Capitol Records, the sister label of Britain’s EMI-owned Parlophone Records, deemed their music unsuitable for American audiences and repeatedly declined to release soon-to-be Beatles’ classics including “Love Me Do,” “Please Please Me” and “She Loves You.”

PHOTOS: The Beatles: A look back at their U.S. debut

“I would occasionally take an EMI record, English in particular, and release it in the United States with no success whatsoever,” Capitol’s then-president, Alan Livingston, says in historian Bruce Spizer’s 2003 book, “The Beatles Are Coming! The Birth of Beatlemania in America.” “There was just no interest in English artists here.”

True enough. Cliff Richard was the biggest pop star in England before the Beatles came along, selling millions of records at home. The best he could do in the U.S. was No. 25 for his late-1963 version of the 1950s pop-R&B ballad “It’s All in the Game.”

What’s more, lead guitarist George Harrison found no awareness of the band when he came to America in September 1963 to visit his sister, Starr said.

“He said, ‘It’s going to be tough,’ ” Starr recalled.

That would soon change, as Beatlemania took hold in England — and American news outlets began to take notice.

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On Oct. 6, 1963, the Los Angeles Times published a London Times story about what had erupted out of the seaport city of Liverpool. Reporter Derek Jewell presciently noted:

“One genuine novelty, however, may make the sociologists twitter,” he wrote. “Their talk reveals them as very much part of that questing, confident, cool, sharp and unshockable stream which has come of the grammar schools in the last decade.”

The Beatles’ refreshing candor, energetic music and irreverence won them a spot performing for the royal family at the Royal Variety Show in London on Nov. 4. That high-profile gig helped boost their profile across the pond.

The Beatles’ name came up in Sullivan’s world as early as summer 1963, when the show’s British talent scout, Peter Pritchard, took notice of the quartet’s rising popularity and the intense fan reaction during their performances.

Pritchard used the performance before the royals as further ammo in urging Sullivan to put them on his show and helped arrange for Epstein to come make his pitch directly.

PHOTOS: ‘Tune In: The Beatles: All These Years’

Epstein persuaded Sullivan not just to put the Beatles on his weekly variety show but to guarantee three appearances. Even more remarkably, Sullivan consented to giving them top billing on the first show even though at that moment they were an unknown quantity in the States.

And vice versa. “We had no idea [Sullivan’s show] was that huge,” Starr said. “We just thought it’d be a break-in to America. And New York — we were in New York, for God’s sakes. It was incredible.”

The deal with Sullivan was the ammunition Epstein needed to cajole Capitol President Livingston to release their music in the U.S. and, equally important, to commit to spending $40,000 — a hefty amount in 1963 — promoting the Beatles’ new single, “I Want To Hold Your Hand.” Capitol slated it for mid-January release, ahead of the Feb. 9 Sullivan show debut.

Things were starting to change: Time and Newsweek magazines carried reports about the Beatles in their issues of Nov. 16 and Nov. 18, respectively. Then all three major American television networks — CBS, NBC and ABC — dispatched film crews to a Beatles’ Nov. 16 performance in Bournmouthe, England.

360 PHOTO: Paul McCartney gets his star on the Hollywood Walk of Fame

NBC aired a piece three days later, the group’s first national TV exposure in the U.S. A more significant report on the band then aired on CBS the morning of Nov. 22, 1963, shortly before President John F. Kennedy was assassinated in Dallas.

The Beatles story had been slated to be repeated that evening on the top-rated “CBS Evening News with Walter Cronkite,” but the JFK news put every other story on the back burner. Eighteen days later, however, Cronkite resurrected the Beatles report in the belief it would give a nation in mourning something to smile about once again.

It did.

Their performance of “She Loves You” on that newscast prompted 15-year-old Marcia Albert of Silver Springs, Md., to contact her local radio station, WWDC in the nation’s capital.

“Why can’t we have this music in America?” Albert asked.

Deejay Carroll James, who also had seen the Beatles on Cronkite’s newscast, responded by inviting Albert to the station to introduce “I Want To Hold Your Hand” before he played it for the first time in the U.S. on Dec. 17. WWDC’s phone lines promptly lighted up.

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Capitol’s response? A “cease and desist” letter insisting the station pull the record because the company wasn’t planning to release it for almost another month.

It was too late. Other stations had noted the response it was getting in Washington and began playing it. Livingston, quickly realizing the Beatles were out of the bag, pushed up the release date of “I Want To Hold Your Hand” to Dec. 26.

It was a serendipitous move for all concerned.

Teenagers were out of school on winter vacation, many had holiday gift money in their pockets itching to be spent, and radio stations had begun playing the Beatles in heavy rotation. Three weeks later, the Beatles hit No. 1 on the Cash Box singles chart; “I Want to Hold Your Hand” had sold 1 million copies and was showing no sign of slowing down.

The Beatles, who had vowed not to tour the States before they had a No. 1 hit, got the news they’d long dreamed of amid their three-week residency in Paris, which ended Feb. 3. Four days later, they were on a plane bound for the U.S.

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Another turning point that affected the group’s fortunes stateside was the news conference they held — two days before they’d perform for Sullivan — before a phalanx of reporters and photographers who came to slaughter and instead were conquered by the Liverpudlians’ charm and wit.

“They actually said that they came to that press conference to kill us,” Starr said. ” ‘Oh, another band from England.’ But because … we shouted back, they loved us. We’re from Liverpoool, so you shout at me, I shout at you, that’s how it is; I don’t care if you are from New York.

“They said that was so great, because everybody comes here and says, ‘Oh, it’s very nice to be here, and we love it’ — and we said, ‘Oh, piss off!’ or whatever we said. That made the press enjoy us, and that helped,” Starr said.

It was more evidence of the dictum often stated by Epstein and various members of the group: If they would be given a chance to be seen and heard, they firmly believed America would fall in love with them.

The various strategies Epstein put in place in the months leading to their arrival to create that chance helped create the frenzy that resulted in a surging throng of 3,000 screaming teens who greeted their plane when it touched down at JFK International Airport.

The fuse had been set, the powder keg primed. All that remained was for Ed Sullivan to step in front of 73 million viewers that Sunday night 50 years ago and strike the match with those five words he uttered at 8:03 p.m. to introduce America to four lads from Liverpool: “Ladies and gentlemen: the Beatles!”


Twitter: @RandyLewis2


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